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Win tickets to the Royal Opera House: The Lost Thing

The Royal Opera and Candoco Dance Company present the world premiere of a new adaptation of Shaun Tan’s The Lost Thing in the Linbury Theatre this Christmas and The Young Londoner has two tickets to give away for the 2.15 performance on Saturday the 21st of December.
The Lost Thing Pascal Campion

The Royal Opera and Candoco Dance Company present the world premiere of The Lost Thing, a new musical reimagining of author Shaun Tan’s beautifully illustrated picture book of the same name. 

What is it… and where does it belong? The discovery of something mysterious and out of place is the starting point for this Christmas production: a musical reimagining of a much-loved book about a boy who helps a lost thing find its way home.

In this enchanting collaboration, a cast of disabled and non-disabled singers, dancers and musicians come together to tell a story about how we are all connected. The production opens in the Linbury Theatre on Monday 9 December 2019.

For a chance to win 2 tickets to the 2.15 performance on Saturday 21st of December simply follow us on Instagram and comment on the post with the same image as the one featured above. Alternatively email with The Lost Thing Competition in the subject line. Winner will be picked on the 8th of December and announced via Instagram (or emailed directly.)

The Lost Thing features an original score by Jules Maxwell, direction and choreography by Ben Wright, set and video designs by Will Holt, lighting designs by Zerlina Hughes, costume designs by Rike Zollner and dramaturgy by Jude Christian.

Australian artist, writer and filmmaker Shaun Tan first wrote and illustrated his picture book The Lost Thing in 2000. The book was subsequently adapted into an animated film which won an Academy Award (2011). Tan’s other books include The Red Tree and The Arrival.

Candoco Dance Company is an internationally-renowned dance company of disabled and non-disabled dancers, founded in 1991. The company is driven by the understanding that diversity is exciting, and dance is richer when different bodies and perspectives are part of its creation. Candoco exists to continually expand perceptions of what dance can be and who can do it.

Ben Wright is an independent choreographer and movement director working in contemporary dance, opera and theatre. He made his Royal Opera debut in 2016 as choreographer for Boris Godunov, directed by Richard Jones. Ben is one of the two Artistic Co-Directors of Candoco Dance Company, alongside founding company member Charlotte Darbyshire. He is also the director of his own UK-based ensemble bgroup and until the end of 2018 was the associate choreographer for Sweden’s largest independent dance company, Skånes Dansteater. He trained at Rambert School of Ballet and Contemporary Dance and worked primarily as a performer between 1991 and 2006.

Jules Maxwell has created music for a wide variety of choreographers over the last 30 years including Wayne McGregor, Jasmin Vardimon, Jane Mason, Cathy Marston, Charlotte Darbyshire, Charlotte Vincent, Theo Clinkard, Filip Van Huffel, Laila Diallo, Ben Wright, Hofesh Schecter and Jeanine Durning. He composed the soundtrack to Tim Loane’s Oscar nominated short film Dance Lexie Dance and the National Theatre’s production of Love The Sinner by Drew Pautz. At Shakespeare’s Globe he has composed for productions of Doctor Faustus (2012), Anthony and Cleopatra (2013), Merchant of Venice (2015/16) and Boudica (2017). In 2010 he played keyboards on Brendan Perry’s European Tour and subsequently joined Dead Can Dance for their Anastasis World Tour 2012/13 and has recently been performing on their Life and Works World Tour.

The Lost Thing opens at the Royal Opera House’s Linbury Theatre on 9 December 2019, with subsequent matinee and evening performances until 4 January 2020. It is suitable for ages 6 and above and it is sung in English. Tickets are between £7 and £35 for more info and booking visit the Royal Opera House website. All performances will be captioned. There will also be a number of relaxed, BSL interpreted and audio described performances.