Nathan Englander’s What We Talk About When We Talk About Anne Frank is stimulating piece of contemporary theatre that, masterfully, tackles traumas such as the Holocaust and Gaza while also being a seriously smart and funny comedy. Adapted from Englander’s original short story, this quintessentially Jewish play dives deep into the complexities of the issues that Jewish people around the world face today – not only history and current conflicts but around faith itself, parenthood, marriage and a whole lot more.
At its core, the play explores the meeting of two old friends—Debbie (Caroline Catz), a secular Jewish woman living in Florida, and Lauren – now Shoshana (Dorothea Myer-Bennett) her childhood friend, an ultra-Orthodox living now in Israel with her husband and their many children. What begins as a light-hearted reunion quickly evolves into a profound exploration of faith, loyalty, and the moral dilemmas that define us. The dialogue is razor-sharp, full of wit and nuance, effortlessly transitioning between hilarious banter and soul-stirring reflection.
Making London’s theatre debut, Joshua Malina shines in his role as Debbie’s pragmatic husband, Phil, and delivers a performance that is in equal parts charming and emotionally raw. His comedic timing is impeccable, yet he brings an understated vulnerability to the heavier moments. The entire cast is stellar, breathing life into Englander’s richly written characters and making their struggles and joys feel deeply authentic. We also loved the bold, hilarious and punchy performance of Gabriel Howell playing Trevor, Phil and Debbie’s son – a typical college student unsure what to do with himself, disillusioned with all religions and more concerned about wider issues that will impact on his future, such as climate change.
Under Patrick Marber’s direction, the production maintains a good balance of intimacy and tension. The relatively sparse set design – Debbie and Phil’s kitchen in Florida – places the focus squarely on the actors, allowing the audience to fully immerse themselves in the emotional stakes of the story. The best discussions happen just by sitting around the kitchen table. Marber’s ability to navigate the tonal shifts—from uproarious laughter to gut-wrenching silence—is nothing short of brilliant.
The play is not afraid to ask difficult questions. What does it mean to be Jewish in today’s world? How do our beliefs shape our relationships? Can love bridge the divide created by politics, religion, and personal choices? These questions resonate deeply, especially against the backdrop of today’s fractured world. While it touches on sensitive topics—political tensions, religious identity, and even drug use—it handles them with grace and thoughtfulness, and a good measure of humour.
Conclusion
What We Talk About When We Talk About Anne Frank isn’t exactly the lightest of watches, yet it manages to weave in comedy without diminishing the gravity and importance of the subjects it covers. This delicate balance is a key part of the play’s success. It is compelling, thought-provoking theatre that leaves a lasting impression that you’ll find yourself reflecting on long after the curtain falls.
Whether you’re a fan of Nathan Englander’s original story or simply someone who appreciates thought-provoking drama, this play is a must-see. Don’t miss the chance to witness this extraordinary production during its limited run.
Content Advisory: Strong language, sensitive topics like politics & international relations, and references to drug use. Suitable for ages 14+.
What We Talk About When We Talk About Anne Frank is at the Marylebone Theatre until 15 February 2025. Tickets start at £22.50. More info and bookings here.
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